In Focus
29 × 22. Acrylic on board
This painting carries a strong sense of layered meaning, blending structured geometry with a more chaotic, expressive core.
The outer framework—made up of large, flat blocks of color (yellow, dark brown, green, white, and gray)—creates a rigid, architectural grid. These hard-edged shapes feel deliberate, like walls or compartments meant to contain or order reality.
But within the central rectangle, the story changes. That space bursts with rough textures, blurred brushstrokes, and overlapping marks. Circles and loops emerge faintly in the chaos, almost like symbols or memories half-erased. The colors are more varied here—reds, blues, yellows, earthy tones—suggesting emotion, conflict, or history.
The contrast tells a story of containment versus freedom. The clean borders represent structure, order, and control, while the restless interior suggests human experience—messy, layered, emotional, impossible to fully contain. The painting feels like a meditation on how we try to organize life into neat categories, but beneath that surface is turbulence, memory, and imagination that resist boundaries.
29 × 22. Acrylic on board
This painting carries a strong sense of layered meaning, blending structured geometry with a more chaotic, expressive core.
The outer framework—made up of large, flat blocks of color (yellow, dark brown, green, white, and gray)—creates a rigid, architectural grid. These hard-edged shapes feel deliberate, like walls or compartments meant to contain or order reality.
But within the central rectangle, the story changes. That space bursts with rough textures, blurred brushstrokes, and overlapping marks. Circles and loops emerge faintly in the chaos, almost like symbols or memories half-erased. The colors are more varied here—reds, blues, yellows, earthy tones—suggesting emotion, conflict, or history.
The contrast tells a story of containment versus freedom. The clean borders represent structure, order, and control, while the restless interior suggests human experience—messy, layered, emotional, impossible to fully contain. The painting feels like a meditation on how we try to organize life into neat categories, but beneath that surface is turbulence, memory, and imagination that resist boundaries.